On a Blender Bonanza

Why I’m Paying Attention to Blenders Right Now

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I’m currently in the middle of a pattern challenge by Erin Kendal, and the title alone was enough to pull me in: Blender Bonanza.


Blender patterns are the quiet ones. The supporting actors. The designs you don’t always notice right away, but if they disappeared, something would feel off.


Lately, I’ve started to see just how much they carry.


For this challenge, I added a small rule of my own. Before designing anything, I chose a restrained color palette. No endless tweaking. No “just one more shade.” 


Ten colors, chosen to sit well together, leaning into soft neutrals with a bit of warmth. The kind of palette that works just as well for fabric as it does for home decor, and doesn’t feel tied to a single season. I’ve been thinking of it as Sunwashed Neutrals


A challenge within the challenge. Because why not...


And the patterns are already starting to find their place in a new collection over in my Spoonflower shop


What Blender Patterns Actually Do

Blenders, I’m realizing, are what make a collection behave.


They sit between the louder prints and soften the edges a little. Not in a dull way. More like they keep things from tipping over.

That matters even more once you leave the design file behind.


If you’ve ever tried mixing patterns at home, you probably know the moment. One print too many and everything suddenly feels busy. Play it too safe, and it all looks a bit flat.


Blenders live right in that middle space. They add texture without taking over. They make combinations feel intentional instead of accidental. They’re the reason your bold choices don’t start arguing with each other.

Starting With the Palette (and Sticking to It)

This time, I flipped my usual process. Palette first. Patterns second. It sounds simple, but it asks for a bit of discipline.


Some color combinations work immediately. Others seem fine at first, until you place them side by side and realize they’re almost the same tone, just slightly off. So there’s been a lot of adjusting. Small shifts, mostly. Occasionally a full rethink. And sometimes just sitting there for a minute, looking at the screen, waiting for something to settle.


But when it does click, it holds. The patterns begin to connect without effort. You can already see how they might live together, which is really the whole point.


What I didn’t expect is how much the structure itself would help. A clear prompt leaves less room for circling. There’s less overthinking, more making. Decisions come a little more easily. Not rushed, just steadier.


What I’m aiming for here is a collection that behaves. Not just a group of patterns that look nice next to each other, but one you can actually use. Mix prints, swap things around, layer them without ending up in visual chaos.


That’s where blenders earn their keep. They’re the calm in between. The patterns that make bold choices feel intentional instead of slightly accidental. And, conveniently, they’re also the ones I keep coming back to while building this set for my Spoonflower shop.


A few things are becoming clearer as I go: Simple holds up and repetition shows you very quickly if something’s off.

And blenders, more than I expected, might be the designs people come back to. Not because they stand out, but because they’re easy to live with.


If You’re Mixing Patterns at Home…

... blenders make that process a little easier.


They bring balance without asking for attention. They give bolder designs space to breathe. They help everything feel a bit more grounded, a bit more considered.


I’m building out a full set within this palette right now, and it’s starting to come together as something flexible rather than fussy.

Some designs are already on Spoonflower, with more on the way.


If you’d like to follow along as the collection grows, you’re always welcome to join my newsletter. That’s where I share new patterns, small behind the scenes decisions, and the occasional color that almost ruined everything before it finally behaved.



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